Tuesday, March 25, 2008

Reverb = Genius

Koto-Scale Improv

I've been experimenting with recording recently, and this is the first thing that I've liked enough to put online. This is about %95 improvised. The simple theme at the beginning was planned, as was the key change, but that's it. I probably wouldn't have uploaded it, except that it sounds so spooky with the reverb.

The scale used for the first half originates with a Japanese string instrument, the koto. This scale, called In-Sen, arises from the way the koto is tuned. Interestingly, this five-note scale can be found within the seven-note scales of western music, but its attitude is quite different.

One of the most pleasant scales is the pentatonic, which can be described as a stack of five perfect fifths, for example F-C-G-D-A. Add two more notes to that stack and you get the seven-note scale of the western world, F-C-G-D-A-E-B. The first and last notes are a diminished fifth apart, and form a harmonic boundary between scale tones and the five other "outside" tones on the circle of fifths. Now, cut out the second and third notes, leaving F-D-A-E-B, and there's the In-Sen scale. It shares a sense of purity with the pentatonic, but the diminished fifth drastically changes its character.

2 comments:

Unknown said...

I like it! Were you playing in octaves in the opening section, or does the heavy reverb just emphasize the octave harmonic?

david hollowell said...

Yep, playing in octaves. It added a certain je ne se quoi, a certain savoir-faire, a certain jacques chirac...